A seminal figure in the Pop art movement, James Rosenquist is best known for his colossal collage paintings of enigmatically juxtaposed fragmentary images borrowed largely from advertisements and mass media. Brought together and enlarged so as to cover entire gallery walls and overwhelm the viewer, these seemingly unrelated pictures of consumer products, weaponry, and celebrities hint at the artist’s social, political, and cultural concerns. The billboard painter-turned-artist’s early works are also considered emblematic of a burgeoning consumer culture in America during the 1960s. Six decades into his career, Rosenquist continues to create massive, provocative paintings, whose relevance hinges on their engagement with current economic, political, environmental, and scientific issues.
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